31.3.10


1. no mortal man has yet suceeded
in climbing the big glass mountain.
'i know,' said the drummer boy,
'but my heart is stout and determined
and i long for adventure, yes i long for adventure.'
- 'drummer boy' / scout niblett.

2. 'it's a boy,' said mr. matzerath, who presumed himself to be my father. 'he will take over the store when he grows up. at last we know why we've been working our fingers to the bone.'
mama thought less about the store than about outfitting her son : 'oh, well, i knew it would be a boy even if i did say once in a while it was going to be a girl.'
thus at an early age i made the acquaintance of feminine logic. the next words were : 'when little oskar is three, he will have a toy drum.'
(...) aside from this speculation about my future, i quickly realized that mama and this mr. matzerath were not equipped to understand or respect my decisions whether positive or negative. lonely and misunderstood, oskar lay beneath the light bulbs, and figuring that things would go on like this for some sixty or seventy years, until a final short circuit should cut off all sources of all light, he lost his enthusiasm even before his life beneath the light bulbs had begun. it was the only prospect of the drum that prevented me from expressing more forcefully my desire to return to the womb.
besides, the midwife had already cut my umbilical cord. there was nothing more to be done.
- the tin drum / günter grass.

28.3.10

glory glory hallelujah



"in the summer of 2001 i found myself in switzerland at the montreux jazz festival. i had just finished the first year of my mechanical engineering degree and had decided to get away on my own to see some music. i got a little bored of montreux quickly and decided to take a train. arriving in interlaken one night at the train station i found that all the hostels there were full. i eventually found a hostel on the list that had space and thought it rather peculiar that they made me promise i would come before they told me where they were located. it soon became clear why.

i took a train, another train, a funicular railway (one of those really steep ones), then a narrow gauge railway along a mountain ridge and then a cable car before I arrived in the tiny hamlet of gimmelwald. it was late and I went to sleep pretty much straight away.

i woke the next day to find the most beautiful view out the window of the dormitory. three enourmous swiss mountains; the eiger, the jungfrau and the monch. but almost as surprising was the fact that they had a piano in this remote mountain hostel. that night i met some other musicians staying there and we played songs 'til the wee small hours. it was great.

the next day i hiked to the nearest village to withdraw some money and found that i had none. i had no money to pay board, food... nothing. i went and explained my situation to petra the landlady at the hostel. she explained that the bar had never done such good business as the night before and that icould stay at the hostel if i played the piano at night. sounded like a good deal to me.

i stayed there for a while. in the days i went hiking and at night we made music. a lot of it not very pretty, not very good, but a lot of fun. i made friends who looked after me, fed me, bought me beer. and then one night sitting at the piano something inside me clicked. a strange serendipitous sense of belonging halfway up a swiss mountain many miles from home. i was going to be a musician."

*

you may be familiar with pete roe because of his touring with laura marling & co - i was lucky enough to see him open for her barfly gig last week and what a highlight it was. along with andrew davie, the 2 of them being ridiculously charming and talented. it was a rare treat and a perfect start to a memorable evening. what an amazing guitar player and storyteller indeed! check out his myspace for details about his 'propeller' album and 'animals' ep. there should be another ep out some time this summer too!

in any case, watch that devil's dancefloor video, you'll be singing it the whole day. oh pickle me in every kind of sin..

25.3.10

you gotta dance.

"and before i knew it, there wasn't a thing to my name left. they stripped me to the bone. and then they kicked me out. a real education, let me tell you, " he forced another smile. "made me grow up real fast."
"everybody has to grow up."
"you're right there. i used to think the years would go by in order, that you get older one year at a time," said gotanda, peering into my face. "but it's not like that. it happens overnight."
- dance dance dance / h.murakami

21.3.10

we never had it so good



the indelicates have a new album out 12th april! it's called 'songs for swinging lovers' and no doubt it'll be rude, obnoxious and hilarious (whoa, rhymes). oh also, swinging? they mean that literally.

16.3.10



*

such a smooth killer of a song, complete with punch line and detached pose. reminds me of sophie zelmani's 'breeze'.
sarah blasko's just moved to london, all the way from australia. first stop in france though : she'll be part of the femmes s'en mêlent festival, 4 gigs in march, then off to support the temper trap on their uk tour. that all sounds really good, doesn't it?

[swoooon!]

.com

15.3.10

everything straight lies



*

there's nothing worse than waking up in total darkness. it's like having to go back and live life all over from the beginning. when i first opened my eyes, it was as if i were living someone else's life. after an extremely long time, this began to macth up with my own life. a curious overlap this, my own life as someone else's. it was improbable that such a person as myself could even be living.
i went to the kitchen and splashed water on my face, then drank down a couple of glasses quickly. the water was cold as ice, but still my face was burning hot. i sat back down on the sofa amid the darkness and silence began gradually to gather up the pieces of my life. i couldn't manage to grasp too much, but at least it was my life. slowly i returned to myself. it's hard to explain what it is to get there, and it'd undoubtedly try your interest.
(...) i thought about cells. like my ex-wife had said, ultimately every last cell of you is lost. lost even to yourself. i pressed the palm of my hand against my cheek. the face my hand felt in the dark wasn't my own, i didn't think. it was the face of another that had taken the shape of my face. but i couldn't remember the details. everything - names, sensations, places - dissolved and was swallowed into the darkness.
- a wild sheep chase / h.murakami

12.3.10

the hurricane


amazing.
also, the new video for 'dog days are over' is up! [this way!]

6.3.10

ok. i'm a tiny bit wary of posting some more laura marling related stuff but really it's all i've been listening to. i'm feeling a bit restless and really drawn to her voice - it's got a timeless aspect to it that's really soothing. also this is pure genius :



could these guys look any better, now that's something i'd like to discuss.

3.3.10

Laura Marling @ Splendour In The Grass Festival, Australia - 2008



ghosts
blackberry stone
you're no god
rambling man
my manic & i
cross your fingers
crawled out of the sea
alas, i cannot swim

*

not the best quality but i love the way everybody seems to sing along. it makes me smile a lot so here you go. really neat.